
long day's journey into night ~ eugene o'neill


"oh, if you'd come home ,
i'll let you know that all you want,
is right here in this room.
all you want,
and all you need,
is sitting here with you .
all you want."
this song just came on randomly, and i had yet another of those moments where i am reminded of an artist that i love, but often forget about. dido has one of those voices that sneaks up on you, sticks under the skin, and lingers for days. her songs, often disguised as love songs, are typically deeper than that. lyrically, the more you listen, and the deeper you dig, there are undercurrents of bitterness, betrayal, lost hope, regret, and loss. yet, interspersed - or perhaps the connection between it all - is love. loving regardless, loving despite disappointment, loving even though you have had to let go, and loving in some kind of realm of obsession.
suppose much of it is a glimpse into the darker shadows of our hearts. something that is often deeply relatable, even if we are tempted to shade our eyes from that level of self-examination. i've been trudging around in that kind of muck lately, though, as part of my so-called self-analysis (i.e. trying to sort out what has me so blue). some of what i'm finding reveals an often imbalanced expectation for hope and happiness, and the realization of the day-to-day, and of my own mistakes and mis-steps in love. as a child, i tended to expect the worst, to look at things with disappointed eyes. i know that has a lot to do with the life i led, with my examples of love, with the way i perceived things to be.
and yet, somehow i found myself in my thirties with this almost childish optimism. somehow hope found its meandering way to my door, at the least opportune time, when i really should be basking in the dark shadows of bitterness and disappointment. instead i found myself driven to realizing some ideal of bliss that i had constructed in my head. something to aspire to, as we all should try for the most happy we can wrap our arms around, but at the same time it has limited my enjoyment of right here, right now. it is all still cloudy, and full of mud, as i work my way through it, but something in it brings to light (so to speak) that we need to learn to play about in the shadows, in order to find what we have, what we want, and the precarious bridge that sways in-between.
and somehow this song illustrates a little part of that, or if nothing else, has set me out on a train-of-thought ramble. typical me, finding something in each and every lyrical refrain.
arc of time (time code) ~ bright eyes
"so you nurse your love,
like a wounded dove,
in the covered cage of night.
every star is crossed,
by frenetic thoughts,
that separate and then collide.
and they twist like sheets,
till you fall asleep,
and they finally unwind.
it's a black balloon,
it's a dream you'll soon deny."
trying for some hope tonight, in things, in life, in my own beliefs and desires. it is hard not to feel an overwhelming sense of one step forward and sixteen steps back lately, especially when you are struggling with a lingering depression that nothing seems to shake. so, part of me disappears, and part of me recoils. i try not to build up the predictable walls i've always been so good at constructing. instead, i seek solace in music, and in silence (unusual for me), and in giving myself the time i need to sort my soul out.
i was remembering this afternoon a friend i once was close with, and this technique she used when dealing with dark times and her own struggles. she would try to list at least five things she was thankful for, or things that made her happy. i borrowed it, well more than "borrowed", i shaped it into something i've used on occasion - and into something i've suggested to others to try. to list the things that you are thankful for, things that make you happy, or help you breathe, and also to make a bit of a wish list of things you want to do. looking too far forward can bring on the overwhelm, but sometimes having a few twinkling plans is a good thing.
strange that this song brings out this in me, though conor has always connected to me, lyrically speaking. sometimes hope comes in oddly shaped packages, or in the twist and turn of an unexpected song. so, i sit here and write a small list, and struggle over some of it, while other bits and bobs come pouring out.
five thankfuls:
* my children
* music that makes me feel
* lasting friendship
* bathtubs
* coffee
five wishes:
* vacation (someday)
* healing (for others and my own)
* that i can find the balloon pump for veronica's birthday for balloon animals (hey, wishes do not have to be enormous)
* that my writer's block will end
* the ocean (soon)
"once we watched a lazy world go by,
now the days seem to fly.
life is brief,
but when it's gone;
love goes on and on."
my preferred robin and marian.
"watch the band
through a bunch of dancers
quickly, follow the unknown
with something
more familiar
quickly
something familiar
courage,
my word,
didn't come, it doesn't matter
sleepwalk
so fast asleep in a motel
has the lay of home
and piss on
all of your background
and piss on
all your surroundings
courage
my word
didn't come, it doesn't matter
courage
your word
didn't come, it doesn't matter
oh courage
my word
didn't come, it doesn't matter
courage
it couldn't come at a worse time
so, there's no simple explanation
for anything important
any of us do
and yeah
the human tragedy
consists in
the necessity of living with
the consequences
under pressure
under pressure
courage
my word
didn't come, it doesn't matter
courage
your word
didn't come, it doesn't matter
oh courage
my word
didn't come, it doesn't matter
courage
it couldn't come at a worse time"
random video landed in my inbox and brought tears. suppose i never thought of what the future would lead to for a robin and a marian. a favorite story of mine as a child, quite possibly my most favorite (that and hans christian anderson's the little matchgirl).
it is interesting how as a child you do not question beyond happy ever after's and true love. you expet the heroes to win, even if they are anti-heroes as robin hood is/was. you find yourself believing even when you carry the insecurity/self-deprecating spirit that this society seems to encourage.
i think i need to let go of some of my childhood, even though i thought i'd thrown off and gotten over so damn much of it. and, i think i need to sort out how to be my own hero/anti-hero(ine). with loss there are new doors to discover. when i can pull myself up and out of this sadness i hope to throw them all open.

"don't forget what you've learned all you give is returned,
and if life seems absurd what you need is some laughter.
and a season to sleep,
and a place to get clean,
maybe los angeles, somewhere no one is expecting.
on a detox loft through a glendale park,
over sidewalk chalk,
someone wrote in red,
"start over".
so i muffled my scream on an oxnard beach,
full of fever dreams that scare you sober,
into saltless dinners."
i think i may be dealing with a bout of depression that i am having a very rough time shaking. there are good things happening in my life and yet i feel very weighed down by sadness. i have yet to make it through a day without crying multiple times. i think i need a "start over". i think i need somewhere unexpected (though not los angeles). i think i need to sort out what is wrong with me.

"long ago,
and oh so far away,
i fell in love with you,
before the second show.
your guitar,
it sounds so sweet and clear,
but you're not really there,
it's just the radio."
the original of this song, by the carpenters, lives in my own childhood history alongside roberta flack's killing me softly. something about the pair of them, and a pre-adolescent girl's fancy for musicians and far off places (her wandering gypsy nature captured in a song, and soulful eyes). suppose i had a grasp on the sadness of love, the loneliness when much of your heart is tied up in songs, and yet there is something lasting - far beyond promises, lies, trysts in the backseats of cars, first kisses, make ups and break ups. the songs still play, they hold on longer, they do not forget the initial blushes and dreams. they do not warm you in the cold hours of the middle of the night, but there is something they bring, something to count on, something to trust.
"so, so you think you can tell,
heaven from hell?
blue skies from pain?
can you tell a green field,
from a cold steel rail?
a smile from a veil?
do you think you can tell?
and, did they get you to trade
your heroes for ghosts?
hot ashes for trees?
hot air for a cool breeze?
cold comfort for change?
and did you exchange a walk on part in the war
for a lead role in a cage?
how i wish,
how i wish you were here.
we're just two lost souls,
swimming in a fish bowl,
year after year.
running over the same ground,
what have we found?
the same old fears.
wish you were here."


"once i wanted to be the greatest,
no wind or waterfall could stall me,
and then came the rush of the flood,
the stars at night turned deep to dust.
melt me down,
into big black armour;
leave no trace,
of grace,
just in your honor."
and it came fast, a sudden shock, as if a winter cold had passed deep within my bones. and i knew before a phone rang, or anything was spoken, or explained. all of it, every moment, was the scariest and yet the most impactful of feelings. words do not suffice, and i will never be the same. thank you.




keep art alive; art by matthew woodson 
"paper paper obsolete,
how will you reach out to me?
i thought you'd ask me not to leave."
with each breath we change, we move, we disrupt the day before. and tucked in all of that - somewhere - is the truth. perhaps we find it in the wet streets that slick and shine just after a hard rain. or maybe in the lyrics of a song, the way someone else's heart can mimic our own. or is it in the quiet moments, when there are no other voices, no other sound. in the silence we find blank sheets of paper, reams of it, enough to build a paper castle to hide away in. but what is it that we write on them? or do we leave them blank, abandoning want and wish and chance?
i had a random conversation with someone i never talk to. one of those people who exist in my working environment, but who i never connect with. she told me a story about crabs, and how they are caught. that they are all put into an open lidded container, over-flowing to the point that they almost spill over. and yet, not a single crab ever escapes over the edge. she said the reason is that each and every crab pinches on to each other, keeping each other connected, yet keeping one another stuck in the bin. i left the conversation confused, and a bit shook up. do i want to be a crab, or do i want to topple over the side?